This oil on canvas was an exercise in dry brush technique. After seeing all the sunsets on Don Charismas site mine seems marginal, I did not place the palm trees in because it diversifies potential location. It was fun using the dry brush technique using medium and layering.
Oil on Canvas 18×24
I find it amusing I complained about acrylics previously here, but this is one of my favorite works which just happens to be acrylic, I feel as the hypocrite. This was painted from my minds eye and done with pallet knife and brush. I wanted to see how I could use a dark background with contrasting values. I am very pleased with the results.
You know it is strange, as I bring out and almost organize my paintings here on this blog it inspires me to do more work. It seems I forget some of my works as time goes by, so this is a good way of prodding me into doing more work.
Acrylic on canvas circa 18×24
One more encaustic I did when experimenting, this was done on wax paper with wax to see how they would work together, I was pleased…but the wax paper was not really a benefit, it seemed a problem in the sense it provided no support… though I liked how it turned out well enough to have it framed and mounted. My apology for the photo, glass makes it so hard to get a decent photograph.
Encaustic on wax paper so it is wax on wax? About 11 inches by 16 inches. The Encaustic really shines on this one.
oil on panel 30 x 36
Finished this last year, I was finally pleased with it and is one of my favorites. I had spent off and on several years getting it to Goldilocks just right…where I liked it. This originally was started in an abstract class shaping cones with string, I preferred doing it freehand. The colors in the painting match the frame texture and color with uncanny likeness.
My studio is full of art works I may have decreed allegedly finished and then I look at them and decide to improve them, of course this mostly would be oils or acrylic…watercolor would be another story.
I like this one to the degree, I may make it my blog header.
Oil on panel framed 30×36
Surreal work I have on my studio door, mixed media 30×30
This is done in acrylics, it started out to be an abstract but turned out to be the devils play ground. I was trying out my new quart bottles of acrylic paint using a two inch brush, mostly to see if the the bottled acrylic colors would be vibrant and intense, and how they felt on panel. They did a good job…and with acrylics I find working in the zone most necessary. (zone tuning everything else out).
I was inspired by Gauguin’s use of color and his work “vision after the sermon”. Being inspired by other artists is so important in my view, as part of growing.
Acrylics on panel 30×30
Quick accounting of Plato’s Cave
“Plato has Socrates describe a gathering of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall by things passing in front of a fire behind them, and begin to designate names to these shadows. The shadows are as close as the prisoners get to viewing reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall do not make up reality at all, as he can perceive the true form of reality rather than the mere shadows seen by the prisoners.”
“Allegory of the cave” from Wikipedia”.
Now I did not read all of the synopsis written from Wikipedia…I recall the person who was freed (escaped in my version) from the cave returns and tells the others about… real reality and they do not believe him and end his life, which seems hard to fathom when they where chained up? I sort of look at Plato’s Cave as our Mass Media… especially biased news, always calling wolf.
Anyway I painted Plato’s Cave from me minds eye and it is oil on panel, if I recall I used a pallet knife and mixed all my colors from the basic color wheel back when I was determined to mix my own colors.
Oil on board 36×36
The analogy of Platos Cave came to mind recently when I saw this on UTube, a poem called the Matrix. I find it cogent:
When I feel the urge to try something different in my painting, this is an example. I took this photograph of a declining cypress tree at a place called Jughandle State Park in California. For some strange reason I wanted to try doing a watercolor using yopo paper, because I had heard the name yopo before. (My uncle served in the army with an alleged Samoan Prince named Yopo… whom I met as a small kid). So I painted trying out the Yopo paper, which is a slick shiney paper, the watercolors are not absorbed like in most watercolor papers, so painting on yopo required a different approach, like nothing else I ever painted on before. I may have to try doing a watercolor on yopo paper again.
For some reason the painting came out as an oval, actually it is full sheet matted and framed, but I find it a real challenge just to take a photo through glass. I will attempt one more time to take another photo of Jughandle. Painting the cypress tree was interesting…I could not capture the water in the background as I wanted, but over all I am pleased.